It’s about a four hour drive from our place on the southern Oregon coast to Eureka, California, where our daughter, son-in-law and three grandchildren (Boys 14, 11 and 8) live with a dog, a cat, five chickens and a duck, all on a kind of urban farm. We are spending Thanksgiving in Eureka this year, a “To Grandmother’s house we go” in reverse. As we leave on Wednesday, the weather in Oregon has just opened up after a storm. By the time we reach our daughter’s place in Eureka the skies have cleared. This holiday weekend has materialized the kind of weather residents of the wet and green northwest coast take solace in. Afternoons in the 60s, the evenings a bit chilly but the air full of remembrances of harbor and sea and winds and douglas fir and redwood forest. This wonderful weather imparts a holidayish patina, a warm autumnal mood as we sit down to fresh turkey, fresh cranberries from our own Curry County, and about ninety accoutrements of a good Thanksgiving feast.
This slide show is a sort of travel log of this Thanksgiving weekend, beginning with shots of the rugged Curry County coast, then down Highway 101, the Redwood Highway, to Eureka. It includes a few family pictures, but features lots of photos of a picture packed place called the “North Jetty”.
The Humboldt South and North jetties, massive linear rock filled projections into the ocean, protect vessels entering Humboldt Bay from notoriously dangerous Pacific storms. But more to the point for our son-in-law Tim, the North Jetty is a favorite surfing destination, and rolling long period waves are out the afternoon of our visit, as were wet-suited surfers out for a sporting chance at some pretty decent waves, peaking at 15′ or more. Tim has brought us here to find what we will.
The North Jetty is an a photographic puzzle. Several other photographers were out, kneeling, craning necks, searching for a certain angle. But many who were carrying cameras seemed uninspired. For me, it was my first real opportunity to shoot large waves from a side angle, as opposed from straight on from shore, opening up possibilities especially for B/W, emphasizing the sinuous, emergent power of the long period swells. But equally interesting is the jetty itself. To exploit this subject, one must like geometry.
Contrasted with the oceanic rolls and swells and wave crashes, the jetty is one solid piece of Corps of Engineers construction, including seemingly randomly placed hulking concrete structures looking a bit like giant jacks—like the kind kids once and maybe still do play with. The camera sees shapes and forms and lines and mass in all this. And that is just the beginning, because all this solidity frames a churning kinetic sea.
On our return trip, we stopped in Arcata, and while Ann and Dawn shopped, I came across a couple of urban shots that ratcheted down the drama of waves into in a quiet mood of a dwindling late November day. SR Euston All Photos Copyrighted